Description
Deerhoof vs Evil documents the bands coming-of-age. The result is polished, blissfully exuberant, and hugesounding. Going DIY meant freedom to reinvent themselves, playing each others instruments, altering those instruments so drastically as to be unrecognizable, (those arent Joanna Newsom or Konono No. 1 samples, those are John and Eds guitars), and generally splashing their sonic colors into the most unexpected combinations.
To document their musical coming-of-age the band members could only trust themselves. Besides their cover of an obscure Greek film soundtrack instrumental (Lets Dance the Jet), and a song done for NY artist Adam Pendletons documentary film installation BAND (I Did Crimes for You), these songs were completely self-recorded, mixed and mastered in practice spaces and basements with no engineers or outside input.
The deluxe limited edition version of Deerhoof vs. Evil LP will feature artwork by Matt Goldman on pink 180-gram vinyl, limited to 1000.
Having formed in 1994, Deerhoof is now that fateful age and by rites its the bands turn to go out and challenge the world. The same way a rebellious adolescent turns tough and irrational, Greg Saunier, Ed Rodriguez, John Dieterich, and Satomi Matsuzaki just up and split from San Francisco, the only home theyve ever known as a band, and left behind all notions of what a Deerhoof record sounds like.
The result is Deerhoof vs. Evil. The musical equivalent of hormones raging out of control, it explodes out of the speakers with its gawky triumph and inflamed sentimentality. These are songs that practically demand that you dance and sing along (however elastic the rhythms, or abrupt the melodies). Right from Qui Dorm, Només Somia (sung in Catalan), its evident that Deerhoof arent afraid to take chances (critics be damned).
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