The Evil One

Description

Celebrating a creative purple patch by a singular performer, Light In The Attic is set to reissue the three albums issued by Roky Erickson in the 1980s: The Evil One, Dont Slander Me and Gremlins Have Pictures. Together, theyre a chance to pick up a missing jigsaw piece in the history of American rock n roll in deluxe packages.

As the core member of the 13th Floor Elevators and an undisputed pioneer of psychedelic rock, the 60s were thrilling times for Erickson. His band riding high in their native Texas and beyond, the howling single Youre Gonna Miss Me was his calling card, but Ericksons 60s ended in the stuff of nightmares. Under sharp scrutiny by the authorities due to the bands well-expounded fondness for psychedelic drugs, Erickson was found with a single joint on his person.

Pleading not guilty by reason of insanity to avoid prison, he was sent to the Rusk State Hospital for the criminally insane, where he was treated with electroconvulsive therapy and Thorazine treatment. Erickson pulled through his three and a half years at Rusk, and even put together a band while incarcerated. The Missing Links contained Roky plus two murderers and a rapist. Released from the institution in 1974, Roky found his legend had grown while hed been away not least because Youre Gonna Miss Me was included on 1972s Nuggets compilation.

He formed a band, the Aliens, and set about honing a hard rock sound that placed the psychedelic garage blues of the Elevators firmly in the last decade. Though it was produced at a time when Roky was struggling to cope with drugs and life on the outside, he hit form on his first post Elevators album-proper, 1981s The Evil One. Produced over a period of two years by Stu Cook, from Creedence Clearwater Revival, its a masterful collection of songs about zombies, demons, vampires and, yes, even the Creature With The Atom Brain. These tracks, inspired by schlock sci-fi and horror movies and colored by Rokys distinctive, high-pitched vocal and squealing guitar, are among the maverick performers best.

At the time, Roky explained the album this way: Its gonna go back to the ferocious kind of rock n roll of the Kinks, the Who and the Yardbirds. Its the kind of music that makes you wish you were playing it or listening to it for the first time way back when. But the record would not reach the mass audience of those bands, its success hampered by erratic release schedules and disastrously awkward press interviews.

A year after its release, Erickson would become convinced that a Martian had inhabited his body. He would soon become obsessed with mail, and take to taping it, unopened, to his bedroom walls. Many of Ericksons demons were yet to show their faces. But the B-movie demons he exorcised on this record gave us one of hard rocks strangest, most inventive albums.