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4/5 REVIEW IN Q: STANDARD FARES SECOND ALBUM IS AN ACCOMPLISHED SET OF INTELLIGENT, SPARKY OLD SCHOOL INDIE-POP WITH NODS TO THE DELGADOS, KENICKIE AND CAMERA OBSCURA.

A riot of hormones, cut-to-the-chase lyrics, bolshie girl-boy vocals the Sheffield trio distils all the best and most loveable aspects of indie guitar music The Sunday Times

Limbo. Its a funny place to be, but it provided inspiration for the second album from Standard Fare, the Sheffield-based indie-pop power trio who debuted with 2010s The Noyelle Beat, their lovelorn, melodic songs and male/female vocals making them the new darlings of the indie-pop scene.

Outside of the band, the three-some have far ranging interests: Emma is studying for a PhD, and has an allotment and a penchant for cycling; Andy is a graphic designer, loves riding motorbikes and has dived 20 metres in the Indian Ocean; and Dan is a black belt in karate.*

These 12 tracks, then, concern subject matter as varied as the Holocaust (recent single Suitcase, written about a survivor and friend of Emmas family who recently passed away), bitterness (Kicking Puddles), frustration (Dead Future), divided families (Half Sister) and unfaithfulness (Early That Night). With the widening lyrical scope, the albums texture has become more diverse too, with a greater contrast between heavy and light, fast and slow, dancefloor and bedroom. The guitars are beefed up, the melodies are unbeatable and the words are flecked with wicked humour.

Recorded with producer Alan Smyth at 2fly in Sheffield, the album represents a years worth of writing and 11 days of recording, which, compared to the whistle-stop weeklong session of their debut, is practically a marathon. In addition to the tight power trio of guitar-bass-drums, the band are augmented this time by a trumpet player (Brad San Martin from Bostons One Happy Island) and violinist (Emily Gunn from Sheffields Nat Johnson & the Figureheads), adding an extra dimension to their raw sound.

Standard Fare met when Dan (from Buxton) and Emma (from New Mills) were playing in other groups as teenagers. When those projects fell apart, the pair resolved to work together, and poached drummer Andy Beswick from Dans brothers band. Early practices were held in Andys loft in Buxton, and then in his Nans living room when we got too loud.

Music is a family business for two of their number Emmas mother was in 80s anarcho-punks Poison Girls and now plays Jewish folk music and organises jams in pubs and on trains. Dans family band plays old Motown and Rock n Roll.

*This paragraph was at the bottom of the original notes but cmon, who doesnt want to know that Emma has an allotment? Priorities people, priorities.